collectifgood
@sgritti.bsky.social
90 followers 51 following 60 posts
infrapolitics / spatial codes / deterritorialization / reterritorialization / recolonization / vernacular architecture / microhistory / archives / BD
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Architecture is Climate reimagines the very foundations of architecture in an age of crises [...] as a practice entangled with climate, politics, history, and social justice.

Written by MOULD and beautifully designed by @nina-cc.bsky.social

📚 Preorder this beautiful, relevant, timely book, here:
Architecture is Climate
Architecture is Climate by MOULD reimagines the very foundations of architecture in an age of crises.
dpr-barcelona.com
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📢 Kicking off our seminar series today (in French) with Catherine Pinguet (@cetobac.bsky.social) exploring human–animal urban coexistence in #Istanbul, #Turkey 🐕🏙️
DM me for the Zoom link!
📣 Auj. Catherine Pinguet (@cetobac.bsky.social) est l'invitée du séminaire @ehess.fr «Vivants & écologies dans les crises & les guerres» (@iismm.ehess.fr @cesor.ehess.fr) pour une présentation : «Crise de Sivriada & cohabitation urbaine homme/animal à #Istanbul» @campuscondorcet.bsky.social
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Love the Globe, but not one Globe reporter or columnist asked Josh Kraft a question about climate change. He was completely lost when asked to cite climate priorities in two debates.

Is climate denial on the rise in Boston? Very proud of Wu, Coletta et al., but they clearly lack necessary support.
It’s twenty minutes before high tide and Tenean Beach is mostly underwater
High tide floods a beach High tide floods a beach parking lot High tide floods the Neponset River Greenway trail A beach scene
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While not intentionally child-centred in its design, Plas Madoc housing estate (built in Wrexham between 1968 and 1970) has emerged as a notably play-friendly environment.
🔗 shorturl.at/LaIy6
This case study is from a collection on child-friendly places, developed by the TCPA & A Place in Childhood.
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“Ben Shahn was most interested in people, not landscapes or architecture or institutions…. His art addresses matters of personhood—personal dignity, above all.” —Nicole Rudick
Becoming Acquainted with America | Nicole Rudick
In “The Biography of a Painting,” an essay drawn from his Charles Eliot Norton Lectures at Harvard in 1956–1957, Ben Shahn remembers his early years as an
buff.ly
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How do we live together in an ever-changing city?

In her @berlinscienceweek.bsky.social interview, #sfb1265 speaker Martina Löw (@tuberlin.bsky.social) explores social cohesion, diversity, and the spaces that connect us.

Read it here 👉: berlinscienceweek.com/social-cohes...

#BerlinScienceWeek25
Social Cohesion
How can Berlin stay united amid diversity and change? Prof. Löw explores the future of social cohesion beyond now.
berlinscienceweek.com
want to believe that what they call "peace" will make the Palestinian people happy!🖤
i think the door handle is a little big
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Quand tu penses, au jour de la panthéonisation de Robert #Badinter, que Darmanin est l'actuel garde des sceaux. Ça file le vertige.
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This video of Chicagoans intervening to save a man from being abducted off the streets by ICE is making the rounds on Instagram.

Community action works.

Source: www.instagram.com/reel/DPZL2AL...
"Italy already saw more than 2 million people rally on Friday across the country in a one-day general strike to support the residents of Gaza..."✊✊✊
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Many find comfort in thinking that Greece was (and remains) a peripheral outlier, with developments and reactions which are not applicable elsewhere. But its portrayal as an image of the future back in 2008 seems increasingly more apt. 1/
"We are an image from the future" graffiti in Athens, 2008.
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"Privacy, the Private, and Architecture".
We invite proposals for this session at the 2026 conference of the European Architectural History Network which Aarhus University will host. DEADLINE 19 September 2025.
Call for papers and submission instructions: konferencer.au.dk/eahn26/aarhus
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Chantal Akerman’s 1994 coming-of-age masterwork, “Portrait of a Young Girl at the End of the 60s in Brussels,” can’t be reissued because of its needle drops. But a complete retrospective of the director’s work at MOMA offers two rare screenings.
One of Chantal Akerman’s Best Films Is in Legal Limbo
The Belgian-born director’s 1994 coming-of-age masterwork, about a precocious teen-ager’s romantic audacity, can’t be reissued because of its needle drops.
www.newyorker.com
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Really excited to see the program of the program of the online ‘Women Architects under State Socialism Symposium’ organised in collaboration with the @eahn2005.bsky.social Women and Gender in Architecture and Urban Design Interest Group! Have a look and register to join us! eahn.org/2025/09/wome...
Woman designer behind a drawing board working on a plan