Reaky, Hound of Dracula
@reaky.bsky.social
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New York•London•Paris•Munich https://letterboxd.com/reaky/
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I understand Billie Jo Spears sacked her manager not long after this.
“Tonight, Ross Kemp infiltrates a neo-Nazi MAGA cell.”
Weekend World: brutal cop thriller. World in Action: satanic cult horror.
To the mosh pit, please, for the most badass current affairs theme of all time; the theme our era demands. youtu.be/Y2dpq4sExgs?...
Weekend World Theme.
YouTube video by Mark Rice
youtu.be
Reposted by Reaky, Hound of Dracula
Looking like he’s just released another yacht rock masterpiece.
It also gets the period right, a grimy, dank 1970s. Matthew Herbert’s score contributes to the cursed atmosphere enormously.
It is clearly in the lineage of folk horror set texts like Robin Redbreast and Nigel Kneale’s Baby, but extrapolates on those rather than being a pastiche (I dread to think what Mark Gatiss would have made of this).
Starve Acre is not well-regarded, it seems - many reviews complain of a lack of scares - but personally, I was in a state of unease throughout. No jump scares, no, but this was unremittingly unsettling.
Matt Smith in Starve Acre
Gloria Swanson at Studio 54! An actual in-the-wild instance of “X could have…”
Kate Harrington, Truman Capote y Gloria Swanson en Studio 54. 1978

[Ron Galella]
As in Lord Dunsany? That one? 👹
Sunday
Rétro cars voiture 🚘 la Citroen DS des d'Arbac de Neuville
I’m enjoying (well, maybe not the word) seeing people try to laud Keaton and swerve Allen. Like blanking Sternberg in any account of Dietrich.
Forget it, Rick. It’s Internet.
#BillEvans worked with a number of singers, but his duet album with #MonicaZetterlund is a limpid favourite. I love the cover, where she’s affectionately stroking his hair.
Waltz for Debby, by Monica Zetterlund and Bill Evans
Tijuana Ern #mexicanmorecambeandwise
The Val Lewton production The Ghost Ship (1943) is notably timely, as its core theme is how the structures around authority gone despotic, and ultimately demented, turn a blind eye and even enable it.
Richard Dix in The Ghost Ship