Matt Schley
@mattschley.com
150 followers 60 following 450 posts
Tokyo writer photographer producer translator guy. https://mattschley.com
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I’m glad it’s finally cool enough to walk around in Tokyo. I just bumped into two people I know then saw a cat riding shotgun in a taxi.
Reposted by Matt Schley
The Tokyo International Film Festival is back — and The Japan Times’ film critics have handpicked the must-watch titles. 👉 ebx.sh/99q2fX
Niigata International Animation Festival announced a competition for mid-length animation (15-40m), production/distribution support awards and more focus on young creators.

Sounds like they're serious about staying in the game following some key personnel moving over to the new Nagoya festival.
That's it for YIDFF for me, aside from streaming some of the direct cinema classics on the program while desperately wishing I were still having fun in Yamagata.
Another Home:

Hong Kongers on a small island drink a lot of beer and react to the effective collapse of democracy in their own ways. Liked but didn't love. A lot of close-ups (maybe necessitated by the cramped eatery where most of it takes place?) mean less for the audience to observe.
Time to the Target:

Life in western Ukraine, far from the front but still affected by the war. Best movie I’ve seen here. Great humanistic observational work in the tradition of Wiseman.
With a mild hangover and a sense of gay abandon, it’s time to dive into another day of cinema.
Rokkoku Kitchen:

Stories of people living in former evacuation areas in Fukushima. There’s probably an interesting film in the footage somewhere, buried under the cloying music, narration and titles.
Shot the Voice of Freedom:

Disturbing look at the lives of women under the Taliban. Not good Cinema but important reportage.
Park:

Self-reflexive migrant bromance Before Sunrise.
A Window of Memories:

The personal histories of the director’s grandmothers are read out by two actors. An interesting method but feels performative. Most interesting parts are the scenes with the actual grandmothers and the actors conversing between takes.
With pep in my step and freshly shaven cheeks, I’m ready to step into another day of documentaries.
Yeah, it's something like the 19th edition!
I directed and edited* this! Please watch it!

*Editing was very easy because it’s an unbroken 3.5-minute shot! I’m the Orson Welles of Koenji, baby.
The Grandma's Garden EP is out next Friday, but in the meantime, @mattschley.com made this fantastic video for the song だから、さよなら. Really pleased with this one. Thanks to all who helped out with their time and good spirits (and shitty yet affordable spirits):
www.youtube.com/watch?v=JSU2...
Grandma's Garden「だから、さよなら」
YouTube video by Call And Response Records
www.youtube.com
Gee, I wonder which!!!
Welded Together: Young welder in Belarus tries to do the best she can for her infant sister and their alcoholic mother. Cheesy, poorly judged end-credit song aside, a seriously compelling piece of filmmaking.
Q&A MCs: you gotta tell people to keep it to one question, man.
Luo Luo’s Future: assembled from home movie footage taken by the seven-year-old granddaughter of the director. Have to admit I was fading in and out during this one.
Yamagata Intl Documentary Film Festival thread.

The Seasons: Not so much “about” the dolmens in Alentejo, Portugal as “around” them. Dreamy, nice film cinematography, but a bit unfocused. Liked the old folks reminiscing and wish there’d been more of that.
Mildly confusing that there are recent well-regarded films called Cow, First Cow and Holy Cow.
The Kirin is much, much better. I’m not sure if it’s actually good or just seems good compared to the vile stuff I just drank.