Malt Lick Nursery
@maltlicknursery.bsky.social
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Jonathan Camu Camu. Honey. Lemon. Fluffy.
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Ray Drummond - Los Angeles, 1990. Photo by Anthony Barboza
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Day Listens:

Carlos Garnett - Cosmos Nucleus
Wilbert Longmire - Revolution
Jerry Moore - Life Is A Constant Journey Home
Ahmad Jamal - Genetic Walk
maltlicknursery.bsky.social
Pierre Bodo - Le Piège, 2009, acrylic and glitters on canvas
maltlicknursery.bsky.social
"I play very free. I use my ear and I just play what I want to play. Music can get involved where energy takes you to different places. If I don't go there, I don't really feel like I have given the people enough."

Happy Birthday Pharoah Sanders
born October 13, 1940
maltlicknursery.bsky.social
I know, but I relocated to Japan! I was living in London but would come up to Cambridge regularly to visit friends. Lots of incredible musicians here but I do miss these performances. And I miss seeing your flyers on the church railings too.
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and I appreciate when other people join me to make it a conversation - a spontaneous conversation - which is very worth doing in front of people."

Photo by Roberto Polillo
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"The idea for me is to be able to play from the first note whatever occurs to me at the moment. And the only way you can learn how to do that is to do it a lot, and I've been fortunate to be able to do that a lot -
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"That is one of the miracles of playing this kind of music - that, all of a sudden, you're in another time frame and another emotional setting and the whole thing feels like magic, and that's the goal of this kind of playing."

Happy Birthday Lee Konitz
born October 13, 1927
maltlicknursery.bsky.social
"There's no technique or anything special about it. I just want to play modern piano. I just strive for something different; that's what the public wants."

Happy Birthday Art Tatum
born October 13, 1909
maltlicknursery.bsky.social
"I grew up listening to this music. I knew when I first heard it as a small boy that I had to play it. It's never left me. I think that that has to happen to you. You have to love it. It's an undying love. It's not based on money. It's just based on doing it as good as you can do it."
maltlicknursery.bsky.social
"Well, jazz is to me, a complete lifestyle. It's bigger than a word. It's a much bigger force than just something that you can say. It's something that you have to feel. It's something that you have to live."

Happy Birthday Ray Brown
born October 13, 1926
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"...look at frequencies... look at volumes, look at density, at lightness"

Happy Birthday Orphy Robinson
born 13 October 1960
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"The best frame of mind for attempting to play jazz is to be able to forget where you are and your surroundings, what time of day it is, how much you're getting paid, everything you've ever learnt and give yourself completely over to the music."

Happy Birthday Alan Wakeman
born 13 October 1947
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Have you been reading this article by any chance? www.openskyjazz.com/2011/07/the-...
I was looking at it last week searching for quotes from Cecil Bridgewater. He reminisces about the East and other Brooklyn venues.
Reposted by Malt Lick Nursery
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Sunday sketchbook sssssnippet.😃
#dream #memory #ephemeral #liminal #abstractlandscape #abstract #landscape #sketchbook #art #words #sounds #soundscape
Black and white sketchbook snippet
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David Murray (tenor saxophone, bass clarinet), Hugh Ragin (trumpet), James Spaulding (alto sax), Ralph Peterson (drums), Rasul Siddik (trumpet), Craig Harris (trombone), Wilber Morris (bass), Dave Burrell (piano, voice)
maltlicknursery.bsky.social
David Murray Octet - Hope Scope

Digital Album
released October 3, 2025
black-saint.bandcamp.com/album/hope-s...
maltlicknursery.bsky.social
bringing out and building on the infectious melodies, innovative rhythmic structures, and unclassifiable sonic explorations that make Braxton's music such a remarkable experience for those he calls its "friendly experiencers".
maltlicknursery.bsky.social
Kelvin is a new project convened by Dominic Lash @domlash.bsky.social to explore some of the lesser-known compositions by Anthony Braxton. The goal is not to replicate the sound of Braxton's own ensembles but to make new discoveries -