Jon Pountney
@jonpountney1.bsky.social
2.3K followers 1.4K following 1.6K posts
ONLY AN EYE, BUT MY GOD WHAT AN EYE!
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This is the photo I'm known for *over there*- Capel Rhiw in Blaenau Ffestiniog.

"I waited 18 months to photograph this scene, after spotting it in March last year and not having the right lens with me. Blaenau Ffestiniog on Sunday."
Some from up in North Wales last summer. Yes, summer
Maybe friction would've worked eventually
I thought that was a record player for a minute
Coal fires and a massive steel works half a mile away!
Reposted by Jon Pountney
Bruce Davidson's pics in Ebbw Vale, as posted by @desdelboy.bsky.social recently, and my trip to those same streets. Iirc, the original spot was identified by @robtelford.bsky.social. Davidson worked in colour and black and white, and I suspect set up most of the shots. Sandra Mears pictured
Reposted by Jon Pountney
Some illustrations I did for an M.R James story quite a few years ago. Can you guess which one?
Reposted by Jon Pountney
Two of these aren't in the book
Reposted by Jon Pountney
Some film from around South Wales
And a few more- also in the same spot! Waun Lywd in Ebbw Vale
the original post by @desdelboy.bsky.social, also in the same street
This is across the same street
I found Alan Tunley, and photographed him in the same location
Bruce Davidson's pics in Ebbw Vale, as posted by @desdelboy.bsky.social recently, and my trip to those same streets. Iirc, the original spot was identified by @robtelford.bsky.social. Davidson worked in colour and black and white, and I suspect set up most of the shots. Sandra Mears pictured
Reposted by Jon Pountney
This weekend we took delivery of this beautiful (and beautifully produced - the stitching is lovely) book by jonpountney1.bsky.social ... I'll be spending this afternoon immersed in it
'VALLEYS Volume 1' by Jon Pountney sitting on cushions on a sofa, with patio doors to a garden in the background.
Ah thanks Rob! So glad you like it!
Reposted by Jon Pountney
One critic, writing in 1911 (the date of this work) commented, George Clausen 'gives us out of very simple elements the most perfect nocturnes, these mark a new and definite advance in his power in taking complete hold of a subject and making it his own.'