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Thanks to Neel Lopes for an interview podcast with Greg Newby, Director of the PGLAF. The podcast covers Greg's early involvement with Project Gutenberg, and discussion about the background and status of Project Gutenberg's role in the world of online literature.

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Dr. Greg Newby on being CEO of Project Gutenberg and being with the Government of Yukon Territory
YouTube video by Knowledge and Mind
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Children of famous writers. I wonder what influence they have on their careers.

Mary Shelley (Mary Wollstonecraft & William Godwin)

Ada Lovelace (Lord Byron)

Alexandre Dumas fils (Alexandre Dumas)

Christina Rossetti & Dante Rossetti (Gabriele Rossetti)

Samuel T. Coleridge (Hartley Coleridge)
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The History Of Witches: How Christianity And Misogyny Turned Revered Healers Into Wicked Pariahs

By Leah Silverman

allthatsinteresting.com/history-of-w...

Witches at PG:

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The Examination of a Witch (1853), depicting the trial of Quaker preacher Mary Fisher in 1656 by Tompkins Matteson - Wikimedia Commons
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And visionary as well
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Mary Wollstonecraft, The Woman Who Laid the Foundation for Feminism

by Dr. Victoria C. Roskams

www.thecollector.com/mary-wollsto...

Mary Wollstonecraft at PG:
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#books #literature
Mary Wollstonecraft by John Opie .

The painting depicts Wollstonecraft, a pioneering writer and advocate for women’s rights, in a calm and thoughtful pose. She is shown in a white dress with soft lighting that highlights her face.

https://en.wikipedia.org/wiki/Mary_Wollstonecraft#/media/File:Mary_Wollstonecraft_by_John_Opie_(c._1797).jpg
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From lectures by Stephen Hawking to the letters of British politician Neil Kinnock – it's a race against time to save the historical treasures locked away on old floppy disks.

By Christian Kriticos

www.bbc.co.uk/future/artic...

#digital_dark_age
8-inch, 5,25-inch, and 3,5-inch floppy disks

https://en.wikipedia.org/wiki/Floppy_disk#/media/File:Floppy_disk_2009_G1.jpg
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#OTD in 1894 poet and essayist e. e. cummings was born.

"Cummings wrote approximately 2,900 poems. He is often regarded as one of the most important American poets of the 20th century."

en.wikipedia.org/wiki/E._E._C...

Books by cummings at PG:

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#literature
Cover of "is 5" by e. e. cummings
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TAROCH Coalition, led by Creative Commons, promotes equitable access to public domain heritage. Its Open Heritage Statement affirms shared values, removes barriers & urges a UNESCO framework to secure global cultural access & participation for a sustainable creative future

openheritagestatement.org
Open Heritage Statement
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Join us for the Open Heritage Statement Launch Webinar | 14 October at 14:00 UTC.

openheritagestatement.org/signatories

Project Gutenberg Literary Archive Foundation has already signed the list of signatories to the Open Heritage Statement.

#CulturalHeritage #CreativeCommons #PublicDomain
"Watering Place at Marley" by Alfred Sisley, 1875, CC0, Art Institute of Chicago, remixed with "TAROCH balloon" by Creative Commons/Dee Harris, 2025, CC0.
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I do agree with you, and some contemporary authors end up underestimating the role Lovelace played in computer science.
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; Babbage is therefore known as the "father of computers," and Lovelace is credited with several computing "firsts" for her collaboration with him.
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Though Babbage's Analytical Engine was never constructed and exercised no influence on the later invention of electronic computers, it has been recognised in retrospect as a Turing-complete general-purpose computer which anticipated the essential features of a modern electronic computer
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How Close Did We Come to Losing Beowulf Forever?

Robert Bartlett on a Vital Work of the Western Canon That Barely Survived Multiple Disasters

lithub.com/how-close-di...

Beowulf at PG:
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#books #literature #old_manuscripts
The first folio of the heroic epic poem Beowulf, written primarily in the West Saxon dialect of Old English. Part of the Cotton MS Vitellius A XV manuscript currently located within the British Library. This is a digital photographic copy of the folio. Text shown according to https://www.poetryfoundation.org/poems/43521/beowulf-old-english-version: 

WE GARDE na in geardagum, þeodcyninga, [129] þrym gefrunon, hu ða æþelingas ellen fremedon. Oft Scyld Scefing sceaþena þreatum,monegum mægþum, meodosetla ofteah, egsode eorlas. Then the feast was found, he asked for it, grew under the clouds, the gods, until each of those sitting around him heard the sound of the horn, gomban gyldan. That was a good king. After that, he was remembered, walking in the fields, the good one sent to the king; the fire on the king who had long been dead. His life, the ruler of the people, the lord of the world, was taken away; Beowulf was quick to spring forth, Scyld's son, into the lands of the dead. Thus shall men go forth to good deeds, from pious gifts to their fathers.

https://en.wikipedia.org/wiki/Beowulf#/media/File:Beowulf_Cotton_MS_Vitellius_A_XV_f._132r.jpg
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Meet the female codebreakers of Bletchley Park

Deciphering enemy code during the second world war was arguably the first role for women in tech

by Suzanne Bearne (from the archives)

www.theguardian.com/careers/2018...

#womenInStem
A Mark 2 Colossus computer. The ten Colossi were the world's first (semi-) programmable electronic computers, the first having been built in 1943.

Unknown author - This file is from the collections of The National Archives (United Kingdom), catalogued under document record FO850/234. 

A Colossus Mark 2 codebreaking computer being operated by Dorothy Du Boisson (left) and Elsie Booker (right), 1943

The image shows a Mark 2 Colossus computer, one of the ten machines built during World War II for British codebreaking efforts. Two women, Dorothy Du Boisson (left) and Elsie Booker (right), operate the large electronic computer, which occupies an entire room. The machine is composed of panels filled with switches, dials, cables, and vacuum tubes, representing the first (semi-) programmable electronic computers in history, built in 1943 to help decipher encrypted German communications at Bletchley Park.

https://en.wikipedia.org/wiki/Bletchley_Park#/media/File:Colossus.jpg
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Owning a cat will change your brain. Here's how.

By Laura Elin Pigott

When you cuddle a cat, the ‘love hormone’ oxytocin is rising in both your brains.

www.livescience.com/health/mind/...

Cats at PG:

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#animals #cats
Orange and white cat in a paper bag laying on a bed.
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Wake Up, Rip Van Winkle

Washington Irving’s story isn’t just about a very long nap. It’s about the making of America.

By John Swansburg

www.theatlantic.com/magazine/arc...

Rip Van Winkle at PG:
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#books #literature
Cover image of the book Rip Van Winkle

Author: Washington Irving

Illustrator: Arthur Rackham

The image shows the cover of Rip Van Winkle by Washington Irving, illustrated by Arthur Rackham. 

The textured dark brown cover features the title and credits in white, stylized lettering at the top. Below, a colored illustration by Rackham depicts a rustic outdoor tavern scene: several men in 18th-century attire sit and converse under a wooden porch, one appearing asleep in a chair while another reads a newspaper. A signboard with “King George’s Head” hangs above, and a dog lies at their feet.

https://www.gutenberg.org/cache/epub/60976/pg60976-images.html
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How Easter Island’s giant statues “walked” to their final platforms

Workers with ropes could make the moai "walk" in zig-zag motion along roads tailor-made for the purpose.

by Jennifer Ouellette

arstechnica.com/science/2025...

Easter Island at PG:
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#archeology
STATUE IN QUARRY.

Ready to be launched; movement prevented by stone wedges. Base towards spectator.
[No. 57. Fig. 60.]

https://www.gutenberg.org/cache/epub/69807/pg69807-images.html#Page_124

This picture shows a large, unfinished stone statue lying horizontally in its original rock quarry. The statue appears to have been nearly detached from the surrounding bedrock, with its base facing the viewer. The massive figure, partially shaped and smoothed, is still held in place by stone wedges that prevent its movement.

A man standing beside the statue provides a sense of scale, emphasizing the monument’s impressive size and the precision of the ancient stonework. The surrounding rocky walls bear visible tool marks, suggesting the stages of carving and extraction.

This image documents an important archaeological moment, capturing the statue “ready to be launched”—a stage between creation and transport—illustrating the techniques and monumental ambition of its makers.
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Meet the Hive Architect, the Carpenter Independently Installing Homes for Honeybees

“Wherever I go, bees come,” says Matt Somerville.

www.thisiscolossal.com/2025/09/bee-...

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Bees swarming in a beehive
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Jane Austen and theory of mind: how literary fiction sharpens your ‘mindreading’ skills

by Carmen Barajas and Noelia López-Montilla

theconversation.com/jane-austen-...

Austen at PG:
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#books #literature
Pride and Prejudice, chapter 44: At Lambton, the visitors are all predisposed in Elizabeth's favor.

Hugh Thomson (1860-1920) - Scan de Pride and Prejudice, London: George Allen, 1894.

Illustration for Pride and Prejudice, ch. 44 : "To make herself agreeable to all".

The picture depicts Elizabeth Bennet at Lambton, surrounded by guests who are clearly charmed by her presence.

It shows Elizabeth seated gracefully among several figures in Regency attire. The visitors’ attentive postures and smiles emphasize the text’s note that “all were predisposed in her favor.”

The setting is a refined drawing room, rendered with elegant furniture, soft lines, and balanced composition typical of Thomson’s Cranford style.

https://en.wikipedia.org/wiki/Jane_Austen%27s_literary_universe#/media/File:Thompson-PP-Ch44.JPG
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Alphabets From The Zanerian School of Penmanship, c.1910

These satisfying handwritten alphabets are from the 1900 and 1910 editions of penmanship guides, The New Zanerian Alphabets.

by Sheldon D.

flashbak.com/alphabets-by...

Alphabets at PG:
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#books #alphabet
Cover page of The Zanerian Manual of Alphabets and Engrossing, 1924 edition
by E. A. Lupfer.

Publication date 1924.

https://archive.org/details/Masgrimes_Archive_Zanerian_Manual_1924
Reposted by Project Gutenberg
asls.org.uk
I picked up a nodular mass of blue limestone, and laid it open by a stroke of the hammer. Wonderful to relate, it contained inside a beautifully finished piece of sculpture…

—Hugh Miller, THE OLD RED SANDSTONE (1841)
available as a free ebook on @gutenberg.org
2/4
gutenberg.org/ebooks/63923
In the course of the first day's employment, I picked up a nodular mass of blue limestone, and laid it open by a stroke of the hammer. Wonderful to relate, it contained inside a beautifully finished piece of sculpture—one of the volutes apparently of an Ionic capital; and not the far-famed walnut of the fairy tale, had I broken the shell and found the little dog lying within, could have surprised me more. Was there another such curiosity in the whole world? I broke open a few other nodules of similar appearance,—for they lay pretty thickly on the shore,—and found that there might. In one of these there were what seemed to be the scales of fishes, and the impressions of a few minute bivalves, prettily striated; in the centre of another there was actually a piece of decayed wood. Of all Nature's riddles these seemed to me to be at once the most interesting, and the most difficult to expound. I treasured them carefully up, and was told by one of the workmen to whom I showed them, that there was a part of the shore about two miles farther to the west, where curiously shaped stones, somewhat like the heads of boarding-pikes, were occasionally picked up; and that in his father's days the country people called them thunderbolts, and deemed them of sovereign efficacy in curing bewitched cattle. Our employer, on quitting the quarry for the building on which we were to be engaged, gave all the workmen a half-holiday. I employed it in visiting the place where the thunderbolts had fallen so thickly, and found it a richer scene of wonder than I could have fancied in even my dreams.
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…the tar which used to boil in it to the heat, like resin in a fagot of moss-fir, was as strange a mixture as ever yet bubbled in witches’ caldron—blood of pterodactyle and grease of ichthyosaur…

—Hugh Miller, MY SCHOOLS & SCHOOLMASTERS (1854) – also on @gutenberg.org
3/4
gutenberg.org/ebooks/30737
Immediately beyond the granitic gneiss of the hill there is a subaqueous deposit of the Lias formation, never yet explored by geologist, because never yet laid bare by the ebb; though every heavier storm from the sea tells of its existence, by tossing ashore fragments of its dark bituminous shale. I soon ascertained that the shale is so largely charged with inflammable matter as to burn with a strong flame, as if steeped in tar or oil, and that I could repeat with it the common experiment of producing gas by means of a tobacco-pipe luted with clay. And, having read in Shakspere of a fuel termed "sea-coal," and unaware at the time that the poet merely meant coal brought to London by sea, I inferred that the inflammable shale cast up from the depths of the Firth by the waves could not be other than the veritable "sea-coal" which figured in the reminiscences of Dame Quickly; and so, assisted by Finlay, who shared in the interest which I felt in the substance, as at once classical and an original discovery, I used to collect it in large quantities and convert it into smoky and troubled fires, that ever filled our cavern with a horrible stench, and scented all the shore. Though unaware of the fact at the time, it owed its inflammability, not to vegetable, but to animal substance; the tar which used to boil in it to the heat, like resin in a fagot of moss-fir, was as strange a mixture as ever yet bubbled in witches' caldron—blood of pterodactyle and grease of ichthyosaur—eye of belemnite and hood of nautilus; and we learned to delight in its very smell, all oppressive as that was, as something wild, strange, and inexplicable. Once or twice I seemed on the eve of a discovery: in splitting the masses, I occasionally saw what appeared to be fragments of shells embedded in its substance; and at least once I laid open a mysterious-looking scroll or volute, existing on the dark surface as a cream-coloured film; but though these organisms raised a temporary wonder …