N. ๐Ÿ
banner
followsthebees.bsky.social
N. ๐Ÿ
@followsthebees.bsky.social
790 followers 650 following 3.7K posts
She/they | 30s | bi-pan/ace | fanfic writer and reader ao3: followsthebees Fandoms - SPN | OFMD | Buffy | Wynonna Earp | Doctor Who | Stargate | ALOTO | so many more Just trying to spread positivity.
Posts Media Videos Starter Packs
Pinned
Hardcopies of my fics thread
Sometimes I don't feel ND but then I remember that I've been slightly irritated each morning cause a car keeps parking in the spot I've parked in for years at work. (We do not have assigned parking.) So I left a little early this morning in hopes I can park in said spot before the other person. ๐Ÿซฃ
I'm glad that you have some work now it's offering a good balance in your life.
Me too!!
Ever since I saw Pirate Radio in 2009 and Rhys' character in that movie helped me realize that I was bi, I started following the New Zealand group, and WWDITS has been my go-to Halloween night watch for years!
Yes! But it has a different vibe, more fun and family friendlyish than like the tv show version of WWDITS.

There are many familiar faces in it!
Reposted by N. ๐Ÿ
"Shapes" (1994.04.01)
S01|E19|1X18

Director: David Nutter
Writer: Marilyn Osborn
Director of Photography: John S. Bartley
Art Director: Graeme Murray
#XFiles #TheXFiles
Reposted by N. ๐Ÿ
Reposted by N. ๐Ÿ
Reposted by N. ๐Ÿ
repost ๐Ÿ–๏ธ๐Ÿ–Œ๏ธโœ‚๏ธ
Haha, love ya too! And you know I'm always up for recording!
mostly just told them what was going on in the scene and let them improv. It's the best of both worlds! A script but also trusting people to improve! That's why OFMD worked so well also! (While obviously not as much improv and more script, the improv was there!)
Ok, I'm gonna add info dump fact after listening. They made the short film of WWDITS first. Then Taika and Jemaine wrote a full script for the movie but didn't show anyone else it. They got their friends who could improv well, and told them certain lines they needed/wanted in some scenes. But +
Also, please cover Wellington Paranormal! It is wonderful. One of my ultimate comfort shows.
Reposted by N. ๐Ÿ
๐ŸฅคNEW EP๐Ÿฅค

WE'RE SCREAMING ABOUT YEARNING! Dean is looking through peopleโ€™s windows, Cas never knew he could feel that much, and THEIR HANDS ARE SHAKING FROM HOLDING BACK FROM EACH OTHER ALL OF THIS SILENCE AND PATIENCE, PINING AND DESPERATELY WAITING

player.captivate.fm/episode/6629...
I adore you!! Hope you're doing well, James!
Love not live. Damn typos
My emissions inspector was going on and on about how excited he was that I was the last car of the day cause "it's so hard missing the ones you live, ya know?" And he just wants to go home and sit down and watch a movie with his boyfriend and dog. Dean Winchester is that you?
lead to harsh words. No one wins this argument, both are hurt, and the use of stairs physically represents the emotional conflict and disconnection. (18/18)
beginning of the scene.

It hits hard to see Ed and Stede at odds, especially when so much of their friendship and relationship has been equal. Physically shown to be constantly next to each other. And to see them still on equal grounds while fighting until the very end, when hurt feelings (17/18)
At the beginning, Stede makes his way up the stairs to be equal with Ed, showing they are already at odds but they try to meet in the middle. While they talk they stand on equal ground, but then Ed is the one who goes down the stairs, leaving Stede on the platform, the opposite of the (16/18)
Ed walks down the stairs and out of sight, leaving Stede standing โ€” and crying โ€” at the top of the landing: just like Eleanor left Rachel defeated on the stairs, they may be higher physically, but emotionally devastated. (15/18)
community. Being a pirate was just a second choice - the ship was originally built for him and his family to go to sea - and the crew and Ed are his family now, his community.) But Ed is in defense mode right now and acts first - the classic leave before they can leave you. (14/18)
And the "breakup" occurs that the stairs come into play.

Ed is the one who leaves, who is breaking it off with Stede before Stede can do anything, I.e. before he chooses piracy over Ed . (Of course Stede won't, his goal has/is is never been to be a pirate, but rather to find a (13/18)
a little lower and closed off, but still equals. The dialogue reflects this equality: Ed expresses his feelings and Stede meets him toe to toe, offering something else. "This can be whatever we want this to be."

It isn't till the end of the conversation when the two speak past each other (12/18)