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Elisabeth Ansel @elisabethansel.bsky.social · 21h

Happy to share that our Jena research group on Romanticism has published "Picturing the Romantic. New Perspectives on European Romanticism(s) in the Visual Arts", out now with
@manchesterup.bsky.social. Ed. by Ansel, Grave, Neubauer & Zadrozny.

manchesteruniversitypress.co.uk/9781526179425/

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Deutscher Verband für Kunstgeschichte e.V. @kunstgeschichte.org · 22h

Warum es es sich lohnen kann, wenn hochauflösende Bilder von Museen in Wiki Commons präsent sind 😉
www.hessenschau.de/kultur/taylo...
Die Institutionen sollten selbst aktiv werden und eigene Strategien entwickeln und sich nicht nur auf Freiwillige bei Wikipedia verlassen. @wikimediade.bsky.social

Taylor Swift erweckt "Ophelia" aus dem Wiesbadener Landesmuseum zum Leben

In ihrem neuen Musikvideo hat Weltstar Taylor Swift nicht nur Shakespeares Ophelia wachgeküsst, sondern das Landesmuseum Wiesbaden gleich mit. Dort herrscht Ausnahmezustand. Eine Sonderveranstaltung s...

www.hessenschau.de

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Elisabeth Ansel @elisabethansel.bsky.social · 3d

Finally getting to read/see Alexander Cozens' 1786 "A New Method of Assisting the Invention in Drawing Original Compositions of Landscape", along with all the accompanying daring plates that demonstrate the imaginative technique of blotting, at the Beinecke Library.

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Elisabeth Ansel @elisabethansel.bsky.social · 5d

What a pleasure to study William Blake's unique illustrations for Thomas Gray's poem "The Bard" at the YCBA. Blake inserted the printed text into a cutout in the centre of a larger sheet of watercolor paper, an absolutely novel way of approaching the relationship between text and image.

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Elisabeth Ansel @elisabethansel.bsky.social · 6d

What a joy to study all the material on epistemic images in the New Haven Medical Library. Many thanks to Laura Phillips, curator for the visual arts, for showing me the library and for the great conversation about scientists as artists.

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Elisabeth Ansel @elisabethansel.bsky.social · 6d

What a joy to study all the material on epistemic images in the New Haven Medical Library. Many thanks to Laura Phillips, curator for the visual arts, for showing me the library and for the great conversation about scientists as artists.

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More Movies @moremovies.co.uk · 7d

RIP wonderful Diane Keaton 🤍🎬
#filmsky #moviesky #cinema

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Elisabeth Ansel @elisabethansel.bsky.social · 9d

I was delighted to present my research on Staffa, Carus, and Turner at the History of Art Department at Yale University and to discuss it with colleagues. Thank you for the fruitful exchange.

#Romanticism #Modernism #Art&Science #Geology

J. M. W. Turner, Staffa, Fingal’s Cave, 1831/32 a fog-drenched, coal-fumed rendering of Staffa.

Carl Gustav Carus, Insel Staffa, before 1846, an almost technicolor rendering of the island of Staffa.

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Elisabeth Ansel @elisabethansel.bsky.social · 9d

I was delighted to present my research on Staffa, Carus, and Turner at the History of Art Department at Yale University and to discuss it with colleagues. Thank you for the fruitful exchange.

#Romanticism #Modernism #Art&Science #Geology

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Elisabeth Ansel @elisabethansel.bsky.social · 21d

What an intimate and truthful portrait by John Wilson of his brother, painted in 1942. On display at the great exhibition 'Witnessing Humanity: The Art of John Wilson' at the Metropolitan Museum of Art in New York.

A figurative portrait by Black artist John Wilson of his brother.

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Nico Karge @nicokarge.bsky.social · 24d

Es ist offiziell: Die Romantikforschung an der @uni-jena.de wird in Form eines Zentrums institutionalisiert; im November wird es eröffnet. Unter anderem wird Kunsthistorikerin und Fellow Cordula Grewe einen Vortrag zu arabeskem Denken und Gestalten halten. Weitere Infos: romantik-zentrum.uni-jena.de

Screenshot der Webseite des im November eröffnenden Jenaer Zentrums für Romantikforschung mit einem Ausschnitt des Bildes „Three Seascapes“ von Joseph Mallord William Turner: Bei dem um 1827 entstandenen Bild handelt es sich um Studien von Meeresufern in Öl.

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Elisabeth Ansel @elisabethansel.bsky.social · 21d

What an intimate and truthful portrait by John Wilson of his brother, painted in 1942. On display at the great exhibition 'Witnessing Humanity: The Art of John Wilson' at the Metropolitan Museum of Art in New York.

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Reposted by Elisabeth Ansel

Elisabeth Ansel @elisabethansel.bsky.social · 24d

„Museums are places to hang out“: Mary Heilmann’s installation "Long Line" at the Whitney Museum, which faces the Hudson River and the surrounding cityscape, invites visitors to do exactly that.

Museum visitors in Heilmann’s colorful chairs, looking out the window onto the Hudson River.

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Elisabeth Ansel @elisabethansel.bsky.social · 24d

„Museums are places to hang out“: Mary Heilmann’s installation "Long Line" at the Whitney Museum, which faces the Hudson River and the surrounding cityscape, invites visitors to do exactly that.

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Elisabeth Ansel @elisabethansel.bsky.social · 28d

Swimming with Thoreau.
#WaldenPond

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Elisabeth Ansel @elisabethansel.bsky.social · 27d

An early curly shag by Thomas Gainsborough. Portrait of Elizabeth Martha Collick Hatchett painted c. 1786. On view at the recently reopened Frick Collection.

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Elisabeth Ansel @elisabethansel.bsky.social · 28d

I can't wait for this!

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Elisabeth Ansel @elisabethansel.bsky.social · 28d

I can't wait for this!

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Elisabeth Ansel @elisabethansel.bsky.social · 28d

Swimming with Thoreau.
#WaldenPond

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Reposted by Elisabeth Ansel

Elisabeth Ansel @elisabethansel.bsky.social · Sep 18

Mannahatta.

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Elisabeth Ansel @elisabethansel.bsky.social · Sep 18

Mannahatta.

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Max Weber Stiftung @maxweberstiftung.de · Sep 5

Was hat ein Gemälde, das ein fröhliches Picknick zeigt mit sozialen Fragen am Übergang der Neuzeit zur Moderne zu tun? Elisabeth Fritz, stellvertretende Direktorin am DFK Paris, untersucht, wie man Bilder der Geselligkeit als Bilder von Gesellschaft verstehen kann.

🔗 www.maxweberstiftung...

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Elisabeth Ansel @elisabethansel.bsky.social · Sep 1

Greifswald, jetzt.

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Jeremy Noel-Tod @jntod.bsky.social · Aug 13

Famously, between the first and the second act of Waiting for Godot, the only difference in the stage set is that a previously bare tree ‘has four or five leaves’. So what’s the main note to self I found in this copy which seems to have belonged to a stage manager called Nigel...?

Faber paperback edition of Waiting for Godot with STAGE MANAGER'S COPY / NIGEL written on the cover in pencil

End of Act 1 of Waiting for Godot: beneath 'CURTAIN' someone has written the capitalised words, in pencil, 'INTERMISSION / DO LEAVES'

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Elisabeth Ansel @elisabethansel.bsky.social · Aug 16

Re-Joycing in Trieste.

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