Art History Animalia
@arthistoryanimalia.bsky.social
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Zoologist exploring animal iconography via intersections of natural history with art & visual culture history. AKA Deniz (she/they), PhD student @ UD. https://linktr.ee/arthistoryanimalia
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arthistoryanimalia.bsky.social
#MetalMonday :
Copper axe rattle with #Hummingbird
Manteño-Huancavilca culture, Ecuador (600–1532 CE)
From Museo De Arte Precolombino Casa del Alabado “All That Glitters is Not Gold” exhibition
www.instagram.com/p/DPoSIg2keXU/
#BirdsInArt #IndigenousArt
official museum photo, front profile on black background 
copper rattle in the form of an inverted axe topped with a hummingbird
arthistoryanimalia.bsky.social
For #WorldSlothBearDay :
“Animal of the #Bear Kind (Petre Bear)” [Sloth Bears]
Plate 10 from Charles Catton the Younger (1756-1819) _Animals drawn from nature and engraved in aqua-tinta_ (London, 1788)
en.wikisource.org/wiki/Animals...
Color book plate, illustration of a pair of sleepy bears (ID’d as Sloth Bears) in a landscape, one on left recumbent in side profile and one on right facing forward and yawning
arthistoryanimalia.bsky.social
For the final day of #CephalopodAwarenessDays - #FossilDay: iridescent #ammonite fossil (Caloceras johnstoni), historical #sciart color plate from James Sowerby's _The Mineral Conchology of Great Britain_ v.5 (1825)
www.biodiversitylibrary.org/page/5166030...
iridescent ammonite fossil (Caloceras johnstoni), color plate from James Sowerby's _The Mineral Conchology of Great Britain_ v.5 (1825)
arthistoryanimalia.bsky.social
Resharing for the final day of #CephalopodAwarenessDays - #FossilDay:
arthistoryanimalia.bsky.social
For #InverteFest:
#Ammonite Fossil in Black Marble #Bear Fetish
Artist: Lena Boone, Zuni Pueblo
On display at SRJC Multicultural Museum, CA (113.389)
#IndigenousArt #NativeAmericanArt
photo of the object on display at museum: a Zuni Pueblo bear fetish figure fashioned out of an ammonite fossil in black marble, outer end of spiral carved into a bear face with small blue eye (turquoise?)
arthistoryanimalia.bsky.social
For the final day of #CephalopodAwarenessDays - #FossilDay: "Ammonitida," Plate 44 in _Kunstformen der Natur_ by Ernst Haeckel (1834-1919), 1904. #Ammonite fossils!
www.biolib.de/haeckel/kuns...
"Ammonitida," Plate 44 in Ernst Haeckel's Kunstformen der Natur, 1904. Black and white print, composite of 10 fossil ammonite images:
1. Ammonites (Cardioceras) cordatus = Cardioceras cordatum, from side
2. Ammonites (Cardioceras) cordatus = Cardioceras cordatum, from below
3. Ammonites (Schloenbachia) Coupei = Schloenbachia varians?, from side
4. Ammonites (Schloenbachia) Coupei = Schloenbachia varians?, from below
5. Ammonites (Ptychites) opulentus = Ptychites opulentus, from side (outer shell layer removed)
6. Ammonites (Ptychites) opulentus = Ptychites opulentus, from below
7. Ammonites (ornatus) mammillaris = Douvilleiceras mammillatum, from side
8. Ammonites (planulatus) cavernosus = Puzosia planulatus, cross-section
9. Ammonites (amaltheus) rotula = Amaltheus margaritatus, from side
10. Ammonites (stephanoceras) Humphryi = Stephanoceras 
humphriesianum, from side
https://commons.wikimedia.org/wiki/File:Haeckel_Ammonitida.jpg
arthistoryanimalia.bsky.social
Resharing for #WorldSlothBearDay
arthistoryanimalia.bsky.social
Today is also #WorldSlothBearDay!
“The ursine sloth, or sloth bear. In the gardens of the Zoological Society.”
19th c. colored etching by W. Panorma (1796-1867) after W. Berthoud.
Wellcome Collection
commons.wikimedia.org/wiki/File:Zo...
digitized image of an original 19th c. natural history art print; pair of sloth bears at the London Zoo
arthistoryanimalia.bsky.social
Resharing for #AfricanPenguinAwarenessDay 🐧
arthistoryanimalia.bsky.social
Today is also #AfricanPenguinAwarenessDay!
🚨 The African #Penguin (Spheniscus demersus) is an #EndangeredSpecies.
Plate by Joseph Smit (1836–1929) from “Report on the birds collected during the voyage of H.M.S. Challenger during the years 1873-76” (1881).
commons.wikimedia.org/wiki/File:Sp...
digitized scan of a color book plate in portrait orientation, natural history art / scientific illustration: portrait of a standing African Penguin on the shore with colony in background
arthistoryanimalia.bsky.social
Resharing for #WorldMigratoryBirdDay
arthistoryanimalia.bsky.social
For #WorldMigratoryBirdDay :
Rie Muñoz (American, 1921-2015)
Migration, c.1977
Seriograph, 22.25" x 27.25"
www.mutualart.com/Artwork/Migr...

#WomenArtists #BirdsInArt
color print, illustration of a flock of 15 birds (Canada Geese) in flight on white background, elements of Pacific NW Coast art style
arthistoryanimalia.bsky.social
Resharing for #WorldMigratoryBirdDay
arthistoryanimalia.bsky.social
For #WorldMigratoryBirdDay:
Norbertine Bresslern-Roth (Austrian, 1891-1978)
Crane migration, before March 1937
oil on jute, 120×100 cm
imkinsky.com/en/auction-r...
🆔 Red-Crowned Crane (Grus japonensis)
#WomenArtists #BirdsInArt
oil painting depicting a closeup of a migrating flock of birds (Red-Crowned Cranes) flying over a seascape village, elements of Japonisme art style
arthistoryanimalia.bsky.social
Resharing for #WorldMigratoryBirdDay
arthistoryanimalia.bsky.social
For autumn #WorldMigratoryBirdDay:
Charley Harper (USA, 1922-2007)
Birds of a Feather [Red-Winged Blackbirds], 1974
Serigraph, 31 x 24 in.
www.charleyharperartstudio.com/birds-of-a-f...
#BirdsInArt
digital image of the serigraph, from an original painting: migrating flock of male red-winged blackbirds with autumn leaves blowing through, in Harper’s signature “minimal realism” style

“Flocking together as summer wanes, a brigade of bachelor red-winged blackbirds swings into the southbound lane, where traffic is backed up to the Arctic Circle. But where are the brownish females? Flocking apart. Red-winged congregations are strictly his or hers, except in spring when they sing, “I’m ok-a-lee, you’re ok-a-lee”, and consort among the cattails long enough to make sure there will always be red-winged blackbirds. Then it’s back to separate dorms—flocking together apart.”
–Charley Harper
arthistoryanimalia.bsky.social
Resharing for #WorldMigratoryBirdDay
arthistoryanimalia.bsky.social
Happy #WorldMigratoryBirdDay!
Norman Lewis (American, 1909-79)
Migrating #Birds, 1954
oil on canvas This entry won the Popular Prize at the Carnegie International Exhibition in 1955, making Lewis the first African-American artist to receive the award.
www.arthistoryproject.com/artists/norm...
"In 1955, Norman Lewis became the first African-American artist to receive the Carnegie International Award for this celebrated painting. The critic for the New York Herald-Tribune proclaimed Lewis's work "one of the most significant events of the 1955 art year." This work demonstrates Lewis's continued commitment to the natural world, using representation as the starting point for abstraction. Within the golden yellows which cover the canvas completely, Lewis creates a mass of movement and energy with his application of sharp, white strokes of paint which conjures up images of birds in flight. Lewis's sense of duality, the abstract and the representational, are in complete balance in this prized painting. The sensation is that of multitudes of birds taking flight in the blazing sun and sky."
https://www.theartstory.org/artist/lewis-norman/
image credit: Michael Rosenfeld Gallery, New York. © Estate of Norman W. Lewis [educational use]
arthistoryanimalia.bsky.social
Resharing for #WorldMigratoryBirdDay
arthistoryanimalia.bsky.social
For #WorldMigratoryBirdDay :
Andre Minaux (France, 1923-1986)
Migration, 1960s
Editions Braun et Cie., Paris (15/200)
Tapestry wallhanging printed on linen
49 x 64 in. (124.5 x 162.6 cm)
www.abell.com/auction-lot/...
#BirdsInArt
tapestry depicting two stylized long-necked birds, one dark and one light colored, flying in side profile from right to left across composition, against an abstract background of earth tone geometric shapes invoking a forest landscape with a white clearing in the center
Reposted by Art History Animalia
enniusredloeb.bsky.social
The battle of Cat and Mouse

BL Harley 6563; Book of Hours; c.1320 CE-c.1330 CE; England, S. E. (London); f.72r
Reposted by Art History Animalia
enniusredloeb.bsky.social
The famous five: cat, mouse, weasel, mole, hedgehog

BL Harley MS 3244; Theological miscellany; 1236-c 1250 CE; England; f.49v
arthistoryanimalia.bsky.social
For #SquittleDay (squid and cuttlefish day!): 🦑
Bakufu Ohno (Japan, 1888-1976)
#Cuttlefish (Mongo-ika), 1940
From Familiar Fishes of Nippon (Dai Nihon gyorui hanga-in)
Oban, 40.3 x 28.4 cm
ukiyo-e.org/image/jaodb/...
#JapaneseArt #CephalopodWeek
vintage Japanese color woodblock print in landscape orientation, illustration of an inking cuttlefish (light brown & light blue body, black ink), with seals and signatures on lower left
arthistoryanimalia.bsky.social
For #SquittleDay (squid and cuttlefish day!): “cool shades” #squid in an ancient Roman sea bed mosaic, 2nd c. BCE. Archaeological Museum of Populonia, Piombino, Italy. 😎
commons.wikimedia.org/wiki/File:Mo...
#CephalopodAwarenessDays
Cool squid in an ancient Roman sea bed mosaic - looks like it has sunglasses on its head LOL! (not covering the eyes, which are visible - like if you had your sunglasses resting on top of your head)
arthistoryanimalia.bsky.social
Resharing for #SquittleDay (squid and cuttlefish day!)
#CephalopodAwarenessDays
arthistoryanimalia.bsky.social
#MonochromeMonday :
Billy Missi (Torres Strait Islander, 1970-2012)
#Seahorses & #Squid, 1999
stone lithograph, 32 x 22 cm
www.mutualart.com/Artwork/Seah...
square black and white lithograph, illustration of a single squid surrounded by small seahorses
Reposted by Art History Animalia
biodiversitypix.bsky.social
😸 Dictionnaire universel d'histoire naturelle: .
Paris: Chez les editeurs MM. Renard, Martinet et cie, rue et Hotel Mignon, 2 (quartier de l'École-de-Médecine) ; et chez Langlois et Leclercq, rue de la Harpe, 81 ; Victor Masson, Place de l'Ecole-de-Médecin1847-1849.

[Source]
Illustration from the mid-19th century depicting two platypuses in a natural wetland setting. The larger platypus stands on land with brown fur, a duck-like bill, webbed feet, and a flat tail, while the smaller platypus is partially submerged in water with only its head and upper body visible. Surrounding them are detailed plants, including reeds and water lilies, emphasizing their aquatic habitat. The image combines detailed linework and naturalistic coloring, characteristic of historical zoological engravings.
Reposted by Art History Animalia
alaintruong.bsky.social
Ojime in the form of a spider on a chestnut, Japan, 1871–1900. Sentoku, 1.7 x 1.6 x 1 cm. EA1956.3754 © Ashmolean Museum, Oxford.
Reposted by Art History Animalia
alaintruong.bsky.social
Gold-glass fragment with a lion, set in modern finger-ring, Roman, 201–400 CE. AN2007.15 © Ashmolean Museum, Oxford.
Reposted by Art History Animalia
alaintruong.bsky.social
Tetradrachm coin with a bee, Turkey, silver, HCR5273 © Ashmolean Museum, Oxford.
Reposted by Art History Animalia
alaintruong.bsky.social
Jan van Kessel, the Elder (1626–1679), Flowers and Insects. Oil on copper, 28.7 x 22 cm. WA1940.2.44 © Ashmolean Museum, Oxford.
Reposted by Art History Animalia
jdmccafferty.bsky.social
Jacob de Gheyn (II), ca. 1575 - ca. 1625 (Rijksmuseum)