Andreas
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andelup.bsky.social
Andreas
@andelup.bsky.social
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“Ach, dass wir doch dem reinen stillen Wink, des Herzens nachzugehn so sehr verlernen” 🕊️📚❤️‍🩹 Absolutely Politically Neutral / No Nationalism and Patriotism .⛔️🕊️🫶🙏🏽.📖. Isaiah 2:4. Jw.org Searching for Friends of Peace🕊️❤️‍🩹
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Ludwig van Beethoven.
String Quartet No.9 C. Major (Razumovsky)
Takács Quartet.
🎻🎻🎻🎻❤️🧡🤍💙💚
music.youtube.com/watch?v=IBAE...

music.youtube.com/watch?v=nUU9...

music.youtube.com/watch?v=7eWb...

music.youtube.com/watch?v=7eWb...
Henry purcell.
"Dido and Aeneas"
"When I am laid in earth"
🧡💙💚❤️🤍👌
Emma Kirkby.
The Yorkshire Baroque Soloists.
Peter Seymour.

youtu.be/iTV6F3lTU7o?...
Emma Kirkby - Purcell: Dido's lament - York, 2007
YouTube video by Helmut Fischer
youtu.be
Johann Sebastian Bach.
Cantata `Es wartet alles auf dich` BWV 187
💛❤️🩵🤍💙💚

Yukari Nonoshita.
Robin Blaze.
Peter Kooij.

Bach Collegium Japan Chorus.
Bach Collegium Japan.
Masaaki Suzuki.

youtu.be/VOXKyZKKCvg?...
Reposted by Andreas
#ClassicalMusic #MyDailyDose #18thCenturyMusic
These were among my first Vivaldi period instruments recordings, been a long time since I've sat down with them! One thing I had forgotten with time was how damned fine a Recorder player Antonini is! Their original lineup playing here are amazing!🤠
He died in St. Petersburg.
He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin.
He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic.
In 1796 he was appointed music director.
With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns.
He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work,amassing 10 volumnes.
While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia.
In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen.
Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825
Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor.
Dmitry Stepanovich Bortniansky 1751 – 1825).
(Airs d'opéra à la cour de Russie au XVIIIe siècle)
"Alcide"
Aria "Dei clementi"
💙💚🤍❤️🧡

Karina Gauvin (Soprano)
Pacifisch Baroque Orchestra.
Alexander Weimann.

youtu.be/wX6Ubr48Ar4?...

music.youtube.com/playlist?lis...
Alcide: Aria "Dei clementi"
YouTube video by Pacific Baroque Orchestra - Topic
youtu.be
Felix Mendelssohn.
"Elias"
❤️💛🩵💚🤍

No. 31, Arie. "Sei stille dem Herrn" ·
Jard van Nes. (Alto)
MDR.Chor Leipzig.
Israël Philharmonic Orchestra.
Kurt Masur.

youtu.be/6twaXUaxarM?...

music.youtube.com/playlist?lis...
A virtuoso concert aria for soprano and baroque trumpet, considered one of Scarlatti's exceptional compositions.
This aria demonstrates Scarlatti's mastery in developing the singing style and his influence on baroque opera.
Alessandro Scarlatti (1660-1725)
"Cara tomba" from the opera Mitridate Eupatore.
🧡💙💚❤️🤍
Simone Kermes.
Le Musiche Nov.
Claudio Osele.

Libretto by Girolamo Frigimelica Roberti.

youtu.be/2a_KFTlQCw4?...
The work is written for a very large symphony orchestra in D major and consists of four movements: andante—as in Ländler—allegro—and adagio. Symphony 9 lasts 75 to 90 minutes.
His Symphony 9—the last he completed—became an ode to life, culminating in an elusive, sonorous farewell: "Ersterbend" (First Bend), it concludes.
Capturing the world in sound: that was Mahler's primary purpose in composing.
After claiming to have made the universe resonate in his transcendent Symphony 8, he dedicated his later work to stillness.
Gustav Mahler.
Symphony No. 9.
💚🤍💙❤️💛
Chicago Symphony Orchestra, Sir Georg Solti.

music.youtube.com/playlist?lis...
Le Miroir de Musique presents a large selection of French and Italian chansons which enriches our view of the cultural sophistication of the Italian courts at the start of the 15th century.
Closely rubbing shoulders with their illustrious contemporary Guillaume Dufay, the Lantins brothers combined archaic traits with the earliest characteristics of the Renaissance.
As with the works of Johannes Ciconia, a fellow native of Liège whose time in Italy had preceded theirs, their secular and sacred compositions are preserved in manuscripts copied in Italy.
The composers Arnold and Hugo de Lantins were natives of the diocese of Liège, but it was in Italy, principally in Pesaro and Venice that their presence is confirmed between the years of 1420 and 1430.