Colin Powell_A Multitude of One
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amultitudeofone.bsky.social
Colin Powell_A Multitude of One
@amultitudeofone.bsky.social
130 followers 88 following 460 posts
Multi-instrumentalist, composer, producer, home recording, Prog Rock, Electronic, Ambient (anything really!). Member Nova Cascade and Riffstone. Solo project A Multitude of One. Radio presenter of PROGalchemy. Also into amateur dramatics and Reiki! NW UK.
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If you love Progressive Rock music of all ages, please consider voting for your favourite tracks in the Prog Top 1000 of all time being run by Epic Prog Radio and the top 1000 will be played through December on the station 24/7 from 1st December to 21st December..
Here is the link epicprogradio.com
Prog Top 1000 - Epic Prog Radio
Top 1000 Stemlijst / Vote List 📱 Belangrijk voor mobiele gebruikers: In portretstand (toestel rechtop) kun je de lijst bekijken en zoeken, maar selecteren en verzenden van je stemmen werkt het beste i...
epicprogradio.com
A big thank you to everyone who has purchased our Richard III double CD set, with lavish 16-page booklet! There are only a few copies left of this limited edition run!
riffstone.bandcamp.com/album/richar...
Richard III, by Riffstone
14 track album
riffstone.bandcamp.com
Riffstone are pleased to announce the pre-order for our new album, Sanctuary Sky, a nine-track album that blends mysticism, atmosphere, and emotional depth.

The album will be released on CD and digital download, with an accompanying illustrated lyric booklet.

riffstone.bandcamp.com/album/sanctu...
Sanctuary Sky, by Riffstone
9 track album
riffstone.bandcamp.com
#NowPlaying The Waiting Room by Doug Woods and Colin Powell from Sally Caster, Denks and Klade: The Mechanical Girl Takes Revenge (2017) on @owmr.bsky.social www.oneworldmusicradio.com #progalchemy #owmr #progrock
#NowPlaying The Storm Road (Waiting for the Glass to Break) by This Winter Machine from Single (2025) on @owmr.bsky.social www.oneworldmusicradio.com #progalchemy #owmr #progrock
AI is creeping in everywhere (no AI music or vocals in my music though apart from one experiment on a solo track). Used as part of the creative process I think it is Ok ( like once controversial samples or even synthesised strings in the past) but not to do the whole thing.
There is also a nice feature in this month’s PROG Magazine