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205TF @205tf.bsky.social · 1d

Its bold design choices might at first appear to limit its use to display contexts, yet in smaller sizes it reveals an unexpected potential for setting longer texts with a broad palette of typographic color.⁠

Illusion or reality—why choose? Clearly, Pinokio has many tales to tell…⁠

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205TF @205tf.bsky.social · 1d

Four families with eight weights each, and an equal number of italics, together forming a multifaceted typographic narrative. In larger sizes, the typeface asserts itself, revealing multiple personalities through its numerous stylistic variants.

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205TF @205tf.bsky.social · 1d

Pinokio offers multiple variants whose coherence is reinforced by an intentionally rudimentary design. The vertically cut diagonals of the Sans version allow for the emergence of serifs that grow progressively larger across the four families — Sans, Petit, Moyen, and Grand.⁠

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205TF @205tf.bsky.social · 1d

To begin his research, Tanguy Vanlaeys created a story blending elements of fantasy and fiction to develop a hybrid typeface — a typographic chimera that combines the rigor of a geometric sans serif with the strong structure of a slab serif.⁠

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205TF @205tf.bsky.social · 1d

New Release: Pinokio by Tanguy Vanlaeys⁠
www.205.tf/collection/p...

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205TF @205tf.bsky.social · 3d

Project: The New Design Museum
Typefaces: Exposure (Federico Parra, 205TF); Routed Gothic (Darren Embry)
Graphic Design: Offshore, Lea Michel
Illustration: Martin Groch
Author: Beatrice Leanza
Publisher: Park Books
www.205.tf/exposure

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205TF @205tf.bsky.social · 6d

Project: Du bol!
Typefaces: Immortel (Clément Le Tulle-Neyret, 205TF); Next (Ludovic Balland, Optimo); LL Supreme (Arve Båtevik, Lineto)
Graphic Design: Clément Le Tulle-Neyret
Publisher: Musée des Arts décoratifs de Paris
www.205.tf/immortel

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205TF @205tf.bsky.social · 8d

Project: TwelveLabs
Typeface: Milling (Tanguy Vanlaeys, 205TF)
Graphic Design: Pentagram
www.205.tf/milling

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205TF @205tf.bsky.social · 10d

Project: TwelveLabs
Typeface: Milling (Tanguy Vanlaeys, 205TF)
Graphic Design: Pentagram
www.205.tf/milling

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205TF @205tf.bsky.social · 13d

Project: Graphisme en France n°31 – Futur souhaitable
Typefaces: Seabirds (Rosalie Wagner, 205TF); Ploquine (Emma Marichal); Caramel (Hugo Lopez); Floréale (Jocelyn Cottencin)
Graphic Design: Sarah Salomé Delétain, with the support of Jules Durand
www.205.tf/seabirds

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205TF @205tf.bsky.social · 15d

Project: Banlieues Chéries
Typeface: Plaak (Damien Gautier, 205TF)
Graphic Design: Studio Plastac
Exhibition Design: Roll Office
www.205.tf/plaak

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205TF @205tf.bsky.social · 17d

Project: Banlieues Chéries
Typeface: Plaak (Damien Gautier, 205TF)
Graphic Design: Studio Plastac
Exhibition Design: Roll Office
www.205.tf/plaak

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205TF @205tf.bsky.social · 20d

Project: Evidence, Soundwalk Collective & Patti Smith
Typeface: Exposure (Federico Parra, 205TF)
Graphic Design: Huz & Bosshard
Publisher: Éditions du Centre Pompidou
www.205.tf/exposure

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205TF @205tf.bsky.social · 22d

Project: Arquitectas da Liberdade
Typeface: Milling (Tanguy Vanlaeys, 205TF)
Graphic Design: Lisa H. Moura (Frau im Mond)
www.205.tf/milling

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205TF @205tf.bsky.social · 24d

Project: L’histoire des petits musiciens
Typeface: Andersen (Thierry Fétiveau, 205TF)
Graphic Design: Manuel Zenner
Author: Guillaume Chauchat
Publisher: Biscoto
www.205.tf/andersen

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205TF @205tf.bsky.social · 27d

Project: Leçons hérétiques sur l’histoire du temps présent, Pierre Cornu
Typefaces: Plaax (Damien Gautier, 205TF); Thelo (Tassiana Nuñez Costa, 205TF)
Graphic Design: Éditions 205
www.205.tf

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205TF @205tf.bsky.social · 29d

Project: Gundersen & Løken Opticians
Typeface: Molitor (Matthieu Cortat, 205TF)
Graphic Design: Darling Clementine
www.205.tf/molitor

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205TF @205tf.bsky.social · Sep 12

Project: Spanish Pavilion. Bogotá International Book Fair (Filbo) 2025
Typefaces: Garaje (Thomas Huot-Marchand, 205TF); Renotype (Radim Peško, 205TF)
Graphic Design: Murray Branding
Photos: Juan Castro
www.205.tf

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205TF @205tf.bsky.social · Sep 10

Project: Spanish Pavilion. Bogotá International Book Fair (Filbo) 2025
Typefaces: Garaje (Thomas Huot-Marchand, 205TF); Renotype (Radim Peško, 205TF)
Graphic Design: Murray Branding
Photos: Juan Castro
www.205.tf

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205TF @205tf.bsky.social · Sep 8

Project: Double vie, Jachymiak
Typefaces: Naancy (Damien Gautier, 205TF); Zenith (Matthieu Cortat, 205TF)
Graphic Design: Bureau 205
www.205.tf

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205TF @205tf.bsky.social · Sep 5

Project: YG23 Visual Identity
Typefaces: Milling (Tanguy Vanlaeys, 205TF); Inter (Rasmus Andersson); Martian Mono (Roman Shamin, Evil Martians)
Graphic Design: Khyati Trehan
www.205.tf/milling

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205TF @205tf.bsky.social · Sep 3

Project: Red is over my lover. Not anymore mi amor
Typeface: Exposure (Federico Parra, 205TF)
Graphic Design: Théo Miller
Photographs: Laura Lafon Cadilhac
Edition: Saetta Books
www.205.tf/exposure

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205TF @205tf.bsky.social · Sep 1

Project: Splendour in Venice from Canaletto to Guardi, exhibitions graphics, marketing communications and catalogue for Calouste Gulbenkian Museum
Typefaces: Injurial (Sandrine Nugue, 205TF); GT America; Parnaso
Graphic Design: Panorama Design Studio
www.205.tf/injurial

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205TF @205tf.bsky.social · Aug 29

Project: Splendour in Venice from Canaletto to Guardi, exhibitions graphics, marketing communications and catalogue for Calouste Gulbenkian Museum
Typefaces: Injurial (Sandrine Nugue, 205TF); GT America; Parnaso
Graphic Design: Panorama Design Studio
www.205.tf/injurial

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205TF @205tf.bsky.social · Aug 27

Plaak in use
A selection of projects featuring Plaak, a typeface designed by Damien Gautier.
01. Entre río y raíles — Murray Branding & Design
02. Ritterstraße 12 & 14 — Studio Gourdin
03. Sphères magazine, Hors Série: Les lyonnais — Élyse Delahaie
04. Big Smoke, Big Screen — Rejane Dal Bello

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